Byline: STEVE BARNES Staff writer
John Waters' ``Pecker'' is happy, sweet and disappointingly insubstantial.
What's this? A gently affable tale about fame from the man whose ``Pink Flamingos'' and ``Female Trouble'' were defiant screams of outrageousness, full-throated endorsements of truly bad taste?
Yes, indeed.
``Pecker'' offers more gleefully gauche moments than any of Waters' three previous pictures, ``Serial Mom,'' ``Cry-Baby'' and ``Hairspray.'' But there's nothing in the film -- about an 18-year-old Baltimore photographer who becomes the darling of the New York art world -- as shocking as several scenes in the current gross-out …
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